Muse’n – Crying From The Rooftops
Suck it up, stiff upper lip, don’t let the bastards get you down, never let them see you cry…
Well, unless you are singing the blues – then it’s okay. It’s good, in fact, because that produces something I can use and enjoy. Otherwise, though – keep it to yourself, hide in the closet–
– you remember those old movies? I used to watch them on the Late, Late Show. She’d recline in her peignoir, stand gazing at the train, look over the city from the penthouse suite, clutch the railings of the bridge, drop a flower onto the grave, place her hand on her child’s fevered brow –
and we felt, felt, felt (or were supposed to) her pain, her sorrow, her bravery as the clean, pure tears welled up in her beautiful eyes until there was no more room to contain them and they had no other choice but to tumble out and fill our hearts and minds with the realization that this matters. These are Very Important Tears, any place, any time.
Keep your chin up, don’t embarrass us, save it for someone who cares, take it like a man –
– or she’d be waiting nearby, stoic and silent, her child’s fevered brow a distraction, the grave forgotten until such time as it was permissible to remember, her gaze lifting above the debris to the penthouse suite, where there must be a handkerchief at the ready to wipe away the Very Important Tears – after which it’s okay to go into a corner or weep into your cookpot. Just don’t disturb anyone with your emotionalism -
– you’ve seen the newscasts? Surely. She’s fled something – chopped off hands and feet, daily rape, babies buried under mudslides, bayoneted by little boys with guns bigger than they are, forced from home – can’t stand in the way of progress or business – sometimes she’s holding a weakly crying, dying baby, stroking its fevered brow, while she sits numbed, stoic and silent, by all that’s passed, she certainly can’t care as much as we do–
We sometimes have to look away from all that emotionalism.
” Why are you focusing on hurt”
Because no one else does.
A not so simple answer to a simple question.
Nanette is | Topic: drama queens beloved, feminism, writing | Tags: None
2 Comments, Comment or Ping
Bq
“Suck it up, stiff upper lip, don’t let the bastards get you down, never let them see you cry…
Well, unless you are singing the blues – then it’s okay. It’s good, in fact, because that produces something I can use and enjoy. Otherwise, though – keep it to yourself, hide in the closet”
Damn. This post crystallized a lot of what I’ve been thinking about lately even if the original incident that it came out of occurred a while back. I have been thinking about this a lot in the context of literature, about involved, navel-gazing depictions of white interiority and and the way mainstream culture views woc as so much noise and full of two-dimensional grievances.
Nanette
Hi Bq!
Thanks for commenting. Yes, something Black Amazon said reminded me of how in literature, cinema and just about anywhere, for decades now, the lives, loves, emotions, daily big or little dramas of woc lives are considered a spectacle. Positively offensive, to some.
And the indoctrination runs so deep and is woven so tightly into – particularly Western – society’s framework that I’m not even sure the offended know why it offends them.
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